This article explores the portrayal of a man in the style of film, with a focus on light bronze and white color schemes, portraiture iconography, and the use of light orange and indigo tones. The Mamiya 7 II camera is also discussed, along with the concept of refractions of light.
Man in the style of film, light bronze and white, portraiture iconography, light orange and indigo, mamiya 7 ii, refractions of light