This article explores the artistic style of botanical watercolors from 1970 to the present, with a focus on figurative precision and utilitarian aspects. It also delves into the influence of the Kanō school and the use of orange and green hues. Additionally, it touches upon the intersection of botanical watercolors with comic art.
Man in the style of botanical watercolors, 1970–present, figurative precision, utilitarian, kanō school, orange and green, comic art